Judd Apatow comments on the trend of streamers licensing content from competing studios.
It was recently announced that Warner Bros. Discovery has a licensing deal Sex and the City To Netflix. Apatow is now looking forward to the implications these types of deals could have on the industry in the coming years.
“I’m of two minds. There’s a part of me that’s an audience member: I’ll go back and rewatch Dead wood or NYPD blue Or any of David Milch’s shows. “I understand why people love TV comfort food,” Apatow said. eagle In a recent interview. “But it’s scary as a TV creator, because all the streamers are like, ‘Wait a second.’ “We don’t need to spend $200 million on a new show. We can just bring back Barnaby Jones.” They’ll do that, and then you’ll get fewer new shows.
He continued, “They realized, hey, Netflix can just buy shows from HBO, and I suppose it’s cheaper than producing new shows. Then at some point, Netflix is going to sell their shows to HBO, and they’re just going to pass on all their episodes.” Ballers For the rest of our lives.”
The writer, director and producer also offered insight into the future of the industry, noting that “there are giant companies and people from the tech world who are taking charge of creativity.”
“For some of them – but not all – their intentions are just to have a good time online,” he added. “I don’t know if they were as obsessed with making high-quality films as other owners of these entities were in the past. That’s why they started calling it ‘content.’ Suddenly, they reduced it as much as possible. I don’t think it would be strange if you read something in The newspaper reported that Pornhub has purchased Paramount+.
Apatow also said that studios should take big risks, like Universal’s Donna Langley, who has been betting on Oppenheimer.
“For example, who would think that anyone would care about Oppenheimer like that? He said that Oppenheimer would make close to a billion dollars. “For example, does anyone talk about the inventor of the atomic bomb in their lifetime? We don’t, but people have to take big risks, and Then you realize, no, people want to be challenged. They want smart movies. They want original cinematic experiences. You need a comedic equivalent of that.